FORMATION and history
This site was created in 2016 with the purpose of unifying all stage and education work created by e Albert Quesada and his collaborators Federica Porello, Zoltán Vakulya, Mireia de Querol and Marcus Baldemar, and has developed over the years by performing and creating around Europe.
Albert has directed the performances: Solo on Bach & Glenn (2005), Solos Bach & Gould (2010), Trilogy (2011, created with Vera Tussing), Ensemble (2012), Slow Sports (2012), Wagner & Ligeti (2014), Slow Sports Outdoors (2014), Slow Sports Kids (2015), OneTwoThreeOneTwo (2015), Viva (2016), It’s time (2017)(with Federica Porello & Zoltán Vakulya), Flamingos (2019), Desert (2022).
Together with Katie Vickers, Albert has adapted Flamingos for two Dance Universities under the names: We Will Meet Again (2021, Artesis, Antwerp, Belgium), Are You Talking To Me? (2022, at UArts, Philadelphia, USA)
Albert will also collaborate with other artists with similar interests and affinities.
MISSION STATEMENT
Albert creates work and is interested in art that focuses on:
the love for detail
the endless complex relations between movement, music and meaning
the analysis of the temporal structures and repetitions
how music can express and communicate ideas
how organised noise of music evokes images and turns them into thoughts
speed and its different qualities in stage performances
the coexistence of different temporalities
learning skills from musical compositions
the proprioception and awareness of moving bodies
Albert teaches adults, professionals, amateurs and children.
The WORK & THE MUSIC
Albert's history with music ...read more
Piece by Piece ...read more
Solo on Bach & Gould was a detailed, playful study of Glenn Gould’s performance of Bach’s Goldberg Variations, and Albert's own response to listening to them.
2011
Working with Vera Tussing on Trilogy allowed Albert to expand this same precision and playfulness to explore Beethoven’s piano sonatas, as well as rock music from JS Rafaeli and the operas of Bizet.
2012
Slow Sports was an attempt to apply this examination of cultural meaning to another realm of disciplined participation and spectatorship: competitive sports. What does it mean to compete in an athletic event? What does it mean to experience others doing so as a spectator?
2012
Ensemble was a short trio exploring the role of the conductor, inspired by Leonard Bernstein's word and with the help of Beethoven, Brahms, Bernstein, Shostakovich and Haydn.
2014
With our last group piece, Wagner & Ligeti we returned to my ‘original inspiration’, interrogating modes of experiencing orchestral music in the ‘Western Tradition’.
2015
The creation of OneTwoThreeOneTwo allowed us to expand this field of enquiry to the semi-improvised musical language, rich cultural history, and free-flowing connection between performer and audience of the flamenco tradition. Surrounded by a 360º audience, the intensity of the music from Sabicas, Miguel Poveda, Manolo Caracol and Camarón de la Isla was parallel to the intensity of the proximity from the dancers.
2016
With VIVA Albert directed a group of 15 dancers exploring big group constellations, movements and games under the unashamedly beautiful Vivaldi's Four Seasons.
2017
For It's time, we are finally working with live music and live electronics. Octavi Rumbau, the composer, will help us provide the right experience.
2019
In Flamingos, with 7 dancers onstage, we explored flamenco's intensity through Maria Callas, Elton John, and Whitney Houston, learning that being flamenco might have very different looks and feels.
FUTURE
Albert’s full history and different artistic processes will be available online in the future.
Methodologies
Scores used for the choreographies
Images from the creation
INSPIRATIONAL FIGURES
Thomas Hauert - choreographer, teacher and dancer
Chrysa Parkinson - teacher and dancer
David Zambrano - choreographer, teacher and dancer
Janet Panetta - teacher and dancer